Father, help me to see that life’s difficulties and challenges are opportunities for me to seek You in prayer and to grow in my understanding of who You are. INTERPRETATION On May 8, 2019, Re:Sound and SOCAN announced that they are collaborating to form a new joint venture called Entandem. When technology works intuitively, you barely notice it is there. For more than 80 years now, SOCAN, a not-for-profit company, SOCAN CEO Eric Baptiste added: "RE:SOUND and SOCAN getting together for Entandem means a strengthened ability to reach more businesses that should be … If admission to the sporting event is free, then a flat fee of $5 per event applies. There are two main copyright collective societies, also known as performance rights organizations (PRO), in Canada who deal with musical copyrights by collecting fees and distributing royalties to the rights holders -- SOCAN and Re:Sound. If you’re an artist or publisher, and your original music isn’t registered with either of these PROs, you should do so right away. 3.B – Background Music Users (Establishments): fee per attendee is calculated at a rate of 0.0931¢ per attendee. Yesterday at 7:51 AM. Re:Sound is one of two Canadian PROs you should know about. The exception under Section 69(2) is limited to traditional radio sets, and does not extend to internet radio. The performance royalties collected by SOCAN and Re:Sound are the responsibility of the venues. When searching for music rights for live performing arts, it is possible that you will need to apply for the recording rights as well as composition rights.Composition rights are usually handled with SOCAN, but the recording rights are taken care of at Re:Sound. Not Now. This is a per-event and per-day fee and ranges from $9.25 to $39.33 (without dancing) and $18.51 to $78.66 (with dancing), based on room capacity (seating and standing) as follows: Similar to the SOCAN tariffs, there may be other Re:Sound tariffs applicable to UBC facilities and related organizations or establishments depending on the way the music will be performed, for example: Tariff No. Before we dive into the specifics about Re:Sound, it might be useful to explain why this company exists and what it is designed to do. However, my concern is that Now I think the difference is that social welfare is the concept of well-being for people in society, and social work is how we get there. Save time with 400+ ready-made playlists and AI stations that fit your business. For more information, please see the Re:Sound website and the SOCAN website. Re:Sound & SOCAN fees are levied by all venues (not by the band or a DJ) which are available for public use such as hotels, community halls, etc. Now, businesses across Canada can play music legally and ethically, … Think of this like sheet music -- the music as you'd see it on paper. With Live365, start your own internet radio station or listen for free to thousands of stations. rooms, gardens, halls, etc.) We're the premier digital performance rights organization in the world, with a mission to support, protect and propel the music industry forward. Your subscription includes all performance and mechanical licenses required for business use. There must be a closer link between the performance and the charitable object of the organization – they must be directly connected, or the performance must be incidental to the object. If both SOCAN tariffs and Re:Sound tariffs apply, then royalties are due to both entities. or. SOCAN represents composers and music publishers while Re:Sound represents artists and record companies. By way of example, if you are playing COPIED sound recordings from your hard drive, you require a CONNECT Music Licensing licence. This tariff applies where recorded music is played during breaks in live performances at live music concerts and during the entrance and exit of audiences. SOCAN represents composers and music publishers while Re:Sound represents artists and record companies. McAllister:There is no fee to register and be represented by ACTRA RACS; we deduct an admin fee only when royalty payment… JOIN NOW. for events that play music. The compensation outlined by Tariff 8 is abysmal for ALL of us – writers, performers, record companies, publishers. TEXT: Resound argues that 'soundtrack is used in s 2. refers only to___ of sounds accompanying ___ ___ not the soundtracks constituent parts. SOCAN and re:sound collect fees and tariffs to distribute to artists in Canada. Where SOCAN represents composers, songwriters, and publishers, Re:Sound represents artists and record companies. UBC can pass the SOCAN and/or Re:Sound fees to the renter/users of the facilities by adding the SOCAN and Re:Sound fees to the final rental rate calculation, but UBC retains the responsibility to pay such fees to SOCAN and/or Re:Sound, as the case may be. Re:Sound (Re:Sound Music Licensing Company, formerly known as the Neighbouring Rights Collective of Canada) is a Canadian not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights. However, the performance of a musical work at a benefit where all profits go to charity does not necessarily constitute a performance in furtherance of a charitable object. When music is played publicly in a business or academic institution you may be required to make payments to SOCAN, Re:Sound, or … Still, the Board certified a tariff based upon a simple calculation flowing from some SOCAN agreements with various fitness centres and dance class providers, filed at the Board’s request. I thought that would be the case, but what confuses me is that several of the collective societies claim to collect royalties beyond Canada. While Re:Sound similarly collects fees and pays contributors, they are paying the recording artists, musicians, and record labels. Almost without exception, SOCAN and Re:Sound can only licence (or collect royalties for, in the case of Re:Sound), acts that happen in Canada. In order to broadcast legally, you need a license with both of those PROs. In 2019, RE:SOUND launched a licensing joint venture with SOCAN to simplify the licensing process. SOCAN vs. Re:Sound. Don't worry about the hassle of reporting to SOCAN and Re:Sound each month -- Live365 will handle all of that! Businesses who want to be in full compliance must have an agreement with that PRO (SOCAN) in addition to having an agreement with Re:Sound. Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. There are two PROs in Canada, and SOCAN is only one of them. Re:Sound Licence Needed? By way of example, if you are playing COPIED sound recordings from your hard drive, you require a CONNECT Music Licensing licence. Within UBC facility rental forms, UBC should ask questions such as whether the event will include music, what the source of music is (e.g. Published: May 10, 2019 @ All About Jazz Re:Sound wanted to characterize pre-existing sound recordings(not written specifically for film)—saying a sound recording is a constituent part of the sound track and is not just a sound. Using Entandem, you'll receive both RE:SOUND and SOCAN licenses, with a … SOCAN Repertoire. Entandem  News. pursuant to fire & safety regulations). With Entandem, retailers, restaurants, nightclubs, fitness clubs, and myriad other organizations that use music will be able to complete their legally-required licenses in a single transaction. It may seem frustrating, but these two organizations do not work together, and ignoring one leaves your business open to lawsuits. There may also be exceptions for playing music at some types of charitable or religious events but specific conditions need to be met. Every time a song is played in public, in our case on an internet radio station, SOCAN pays songwriters and composers, and their publishers. While SOCAN collects fees on behalf of composers, authors and music publishers, Re:Sound collects fees on behalf of the rights owners of … Log In. SOCAN represents composers, authors and publishers. how does socan work, Book Description: In the summer of 2012, the Supreme Court of Canada issued rulings on five copyright cases in a single day. (i) the live performance in public of a musical work, or Q: What’s the difference between Re:Sound and SOCAN? These contributors are the artists that are widely known for their audible performances, like Celine Dion, *NSYNC, and Michael Jackson. Society of Composers, Authors and Music Publishers of Canada, Live365 Enters Canada With Licensing From SOCAN and Re:Sound, Sheila E. Teases New Film About Her Time with Prince. Re:Sound (formerly NRCC) represents performers and record producers. According to the organization's website, the other PRO (Re:Sound) has a slightly different business model. The new joint venture, which builds Live365 and Canadian Music Licensing Live365 is dedicated and passionate about giving webcasters the best place to stream on the internet. All Re:Sound royalties are split 50/50 between performers and makers. 2021-01-07T12:23:58Z Comment by Denae Walker. Understanding SOCAN, Re:Sound & The Cost of Music Form of Music SOCAN Licence Needed? To legally broadcast music via the internet, such as on an internet radio station, you need to ensure you have all the proper licensing in place. With Entandem, retailers, restaurants, nightclubs, fitness clubs and myriad other organizations that use music will be able to complete their legally-required licenses in a single transaction. SOCAN CEO Eric Baptiste, added: “RE:SOUND and SOCAN getting together for Entandem means a strengthened ability to reach more businesses that should be paying both music licenses that provide vital support to music creators, especially the emerging and middle-class ones. test or test × SOCAN and Re:Sound administer different sets of rights which are relevant to these kinds of situations: SOCAN administers the public performance right in musical compositions (for the benefit of composers and publishers), while Re:Sound administers the public performance right in sound recordings (for the benefit of performers and makers). All Live365 originating broadcasts are now covered in Canada! Jazz news: SOCAN, RE:SOUND Join To Simplify Performance Licensing. Businesses licensed with Entandem – a company created by well-established copyright collectives RE:SOUND and SOCAN – understand the true value that music can add throughout year. Both SOCAN and Re:Sound are different copyright collectives and represent different legal rights and interests. SOCAN and Re:Sound are both Canadian music collectives. Therefore, if UBC hosts an event that is subject to a SOCAN and/or Re:Sound tariff(s) at which it plays internet radio, the SOCAN and/or Re:Sound fees would still apply. Joint venture simplifies recorded and live music licensing. Re:Sound Enter in any Album, EP or Music Producer category here, and you’ll receive a free song submission coupon with your receipt, which is good for use throughout the submission period.. Self-released SOCAN members and members signed to independent labels are … those administered by SOCAN or Re:Sound). If you unexpectedly receive a bill or information package on licensing fees, it’s likely that SOCAN or Re:Sound agents visited your restaurant or hotel and took note of the type of music that was playing during their visit. Entandem launches in July 2019. Article image: Michael Mroczek via Unsplash. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. See more of Re-Sound Studio on Facebook. That full amount is then passed on to the performing songwriter(s) and other SOCAN rights holders for the songs performed. @deeassia: olatunji - jiggle it. AceMaestro Gaming. They represent recording artists and music labels. All Re:Sound royalties are split 50/50 between performers and makers. Re:Sound handles recorded music or sound that is used in a live performance. Samuel Kefi Abrikh. There are some limited exceptions that may apply to educational institutions, as described below. 5.J – Live Music Concerts: fee per event is 0.1558¢ multiplied by the capacity of the venue, subject to a minimum $15 fee per event. Therefore, if UBC hosts an event that is subject to a SOCAN and/or Re:Sound tariff(s) at which it plays internet radio, the SOCAN and/or Re:Sound fees would still apply. live music, recorded music, radio music) and whether dancing is involved, so UBC can determine what the SOCAN and/or Re:Sound fees will be, and also include checkmarks for which facility or room is being rented, so that UBC can determine room capacity. 21%+ savings on SOCAN and Re:Sound. Without either SOCAN or Re:Sound, broadcasting into Canada would require obtaining permission from every publisher, lyricist, songwriter, composer, recording artist, background musician, and record label. We've previously discussed staying compliant in the United States, but what about legally broadcasting in Canada? If any of the above SOCAN licenses are applicable to your business, you’ll likely want to look into Re:Sound’s Background Music Tariff (T3). Re:Sound There are two PROs in Canada, and SOCAN is only one of them. Live365 is very excited to announce that we are now open for listening in Canada! SOCAN and Re:Sound . According to the organization's website, the other PRO (Re:Sound) has a slightly different business model. Re:Sound represents the rights of artists and record companies (the people who created sound recordings) while SOCAN (Society of Composers, Authors and Music Publishers of Canada) does the same for composers and music publishers (the people who created the compositions that are embedded in those sound recordings). Entandem will benefit music rights holders – the songwriters, composers and music publishers who earn money from compositions, and the artists and record companies who make recorded music. SOCAN currently monitors and imposes 49 different Tariffs, which have been approved by the Copyright Board of Canada. SOCAN pays songwriters and publishers of musical works and Re:Sound pays performers and makers of sound recordings. ReSound has been a pioneer in building innovative hearing solutions and makes it easier and more comfortable than ever before to access personalized sound that suits your lifestyle. 1.A): “Radio performances in places other than theatres, 69(2) In respect of public performances by means of any radio receiving set in any place other than a theatre that is ordinarily and regularly used for entertainments to which an admission charge is made, no royalties shall be collectable from the owner or user of the radio receiving set, but the Board shall, in so far as possible, provide for the collection in advance from radio broadcasting stations of royalties appropriate to the conditions produced by the provisions of this subsection and shall fix the amount of the same.”. However, if you want to use music for non-educational purposes, for example, for background music at a conference or in an athletic facility, a licence must be obtained from the copyright collective SOCAN. Re:Sound currently monitors and imposes 8 different tariffs, which have been approved by the Copyright Board of Canada. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. We look forward to working with you through Entandem and sharing more with you about transferring to Entandem, in the next several weeks. SOCAN / ReSound : SOCAN and ReSound is an organization that administers the communication, writing and performing rights of copyright-protects music when it is in use in Canada. Depending on the category a music user falls under, if at all, license fee may be payable on a per-event or annual basis. UBC is required to pay SOCAN tariffs when it rents out its facilities (e.g. The performance royalties collected by SOCAN and Re:Sound are the responsibility of the venues. In the meantime, your licenses currently administered by SOCAN and RE:SOUND will remain the same. Home; Cases & Tariffs; Documents > Approved Tariffs > SOCAN, Re:Sound - Tariff for CBC Radio, 2006-2011 After years of confusing crossover of music licensing processes, the two major Canadian music licensing organizations, SOCAN and Re:Sound, have formed an alliance, to provide streamlined licensing via their new co-venture, “Entandem“. If the venue capacity is not ascertainable, then the royalties are calculated by multiplying the number of square meters of the area to which the public has access by the number of days of operation during which the background music was played, multiplied by 0.2910¢. For more information about SOCAN, visit their website at www.socan.ca. May 9, 2019 | Via @howardknopf on twitter & The Ottawa Citizen. Re:Sound collects royalties for what you actually hear. Re:Sound has a similar, although slightly more streamlined, tariff structure for retail, hospitality and similar businesses. Tariff No. Therefore, playing music at a charitable event can be exempt from SOCAN or Re:Sound tariffs if the organization performing the music is a charitable organization and the performance furthers a charitable object. Forgot account? Presumably, SOCAN’s and Re:Sound’s roving inspectors don’t count as “guests”. All theatres should have music rights secured whenever they are … Any complimentary tickets are valued at half of the lowest paid price for a ticket within the same ticket category. Tariff 19 – Physical Exercise and Dance Instruction: Annual fee: $2.50 per average number of participants per week in the room. (If only live and no recorded music is used, Re:Sound needn't be paid). The cost of such SOCAN and/or Re:Sound fees can be passed onto the renter of the premises. Live365 Enters Canada With Licensing From SOCAN and Re:Sound FOR IMMEDIATE RELEASE: Pittsburgh, Pa., June 1, 2018-- Live365, an original pioneer in internet radio and broadcasting services, announced today that they have secured licensing in Canada from both SOCAN and Re:Sound to cover Live365 originating broadcasts. Both SOCAN and re:SOUND are non for profits the fees that they collect are then distributed to Music Producers, agencies, performers and songwriters. Why both? Tariff No.5.K – Theatrical, Dance and Other Similar Live Performances: fee per event is dependent upon the amount of sound recordings played. How do I know if payments should be made to SOCAN? Pages Liked by This Page. These exemptions are set out in Section 32.2 and 32.3 of the current Copyright Act, which states: “32.2 … How do I know if payments should be made to SOCAN? This is a per-event fee and ranges from $22.06 to $93.78 (without dancing) and $44.13 to $187.55 (with dancing), based on room capacity (seating and standing) as follows: As stated on the SOCAN website and on its forms, the Room Capacity number to use should be the capacity authorized under the establishment’s liquor license or other document issued by a competent authority for that type of establishment (e.g. If you have further information or questions relating to SOCAN and/or Re:Sound, please contact copyright.services@ubc.ca. Genre Soca & Dancehall Comment by Blaque Aquarius. Now with added Epic Sound Effects and music.⭕ Get Soundpack DELUXE The most complete & Easy to use Soundpack EVER. With the proper music licenses, businesses can play all the music they want legally and ethically, while ensuring music creators are compensated. This will make it easier for creators and users alike, hopefully. Entandem / One Submission, Two Licences, One Payment. When you listen to Feist’s cover of Ron Sexsmith’s “Secret Heart” on SirusXM, the satellite broadcaster pays royalties to Re:Sound and SOCAN for the public performance of this song. Entandem is a joint venture between RE:SOUND and SOCAN, created to simplify the licensing process so you can play all the music you want in your business legally and ethically, ensuring that those who made the music are compensated. My friend is a pop producer in LA. (3) No religious organization or institution, educational institution and no charitable or fraternal organization shall be held liable to pay any compensation for doing any of the following acts in furtherance of a religious, educational or charitable object: (a) the live performance in public of a musical work; In all cases, a minimum fee of $94.51 applies. The following performances (provided that they are not based on, or use, an infringing copy of the work) are allowed by educational institutions and persons acting under the authority of an educational institution, if performed on UBC premises for educational or training purposes and not for profit, before an audience consisting primarily of students, faculty or any person who is directly responsible for setting a curriculum for UBC: Also, pursuant to Section 69(2) of the current Copyright Act, if you have radio playing from a traditional radio receiving set, in any place other than a theatre for which admission is paid, you do not need to pay an additional tariff (as the radio station has paid SOCAN under SOCAN Tariff 1A or 1B and has paid Re:Sound under Re:Sound Tariff No. Epic clash of the Heroes. Why do we have to pay Re:Sound if we already pay SOCAN. Tariff No 6.B – Use of Recorded Music to Accompany Physical Activities: Various annual or per admissions fee charged depending on the activity (e.g. Re:Sound collects on behalf of the master rights owners of sound recordings and collects performance royalties. If none of these apply, then the annual royalty payable is a flat fee of $49.85. Create New Account. Disclaimer: This blog post is not intended as legal advice. You’re fully licensed and saving money. There may be other SOCAN Tariffs that may be applicable to UBC facilities and related organizations or establishments depending on the way the music will be performed, for example: Tariff 15A – Background Music: Annual fee: $1.23/m2 or 11.46¢ /ft2; 1/2 the annual rate for establishments operating less than six months per year. Toronto, May 8, 2019 – With goals of simplifying music licensing for hundreds of thousands of organizations across Canada that benefit from music, and to source and return more earned royalties to Canadian songwriters, composers, publishers, labels and performers, RE:SOUND and SOCAN have created Entandem. SoundExchange administers the statutory license, which allows services to stream artistic content while paying a fixed rate for each play. SOCAN serves music creators, music publishers and visual artists, ensures users are Licensed to Play, and collects/distributes royalties in Canada and worldwide. Where SOCAN represents composers, songwriters, and publishers, Re:Sound represents artists and record companies. Ian MacKay, the President of RE:SOUND since 2009, will be leaving the organization – which collects performance royalties for artists and record labels – at the end of the year. Curated and AI playlists just for you. Tariff 21 – Recreational Facilities Operated by a Municipality, School, College, University, Agricultural Society or Similar Community Organizations: Annual fee: $185.07 for each facility, if the total revenue does not exceed $15,422.88. In Canada, publishers and songwriters receive royalties for such use from the Society of Composers, Authors and Music Publishers of Canada (SOCAN), a performing rights society which collects revenues from broadcasters and others for the public performance of musical works. With Entandem, retailers, restaurants, nightclubs, fitness clubs, and myriad other organizations that use music will be able to complete their legally-required licenses in a single transaction. Live365 has secured licensing in Canada from both SOCAN and Re:Sound. All broadcasters on the Live365 platform are now covered for Canadian licensing through SOCAN and Re:Sound, in addition to the existing U.S. licensing through ASCAP, BMI, SESAC, and SoundExchange.. As a result, we have removed the sitewide geo-block! Your subscription includes all performance, mechanical, and public performance licenses (SOCAN and Re:Sound) needed to legally play music in your business, with few exceptions. In cases where both Re:Sound and SOCAN tariffs apply to the same business, that business must pay both collectives separately, in … When you listen to Feist’s cover of Ron Sexsmith’s “Secret Heart” on SirusXM, the satellite broadcaster pays royalties to Re:Sound and SOCAN for the public performance of this song. (ii) a sound recording embodying a musical work or a performer’s performance of a musical work. These fees are often shown as separate line items on venue rental agreements. First, the licence fee paid to SOCAN by the venue is three per cent of the ticket and door revenue from that show. He used to play in a progressive funk band in Minneapolis back in the day and our bands used to play shows around the Midwest together when I was a rock/pop singer/songwriter. Re:Sound (Re:Sound Music Licensing Company, formerly known as the Neighbouring Rights Collective of Canada) is a Canadian not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights. Re:Sound/ SOCAN Information Re:Sound and SOCAN – Additional Information Re:Sound and SOCAN are separate organizations that represent different stakeholders in the music recording industry. Please consult with qualified professionals if you have specific questions about copyrights and licensing. if the sound recordings are used for less than ten percent (10%) of the total length of the event or for less than ten (10) minutes in total duration, then the fee is 3.2¢ per admission. Broadcast Music, Inc. represents over 800,000 members (songwriters and publishers) and over 10.5 million compositions. (b) the performance in public of a sound recording embodying a musical work or a performer’s performance of a musical work; or SOCAN (Society of Composers, Authors and Music Publishers of Canada) requires users of music to obtain a SOCAN licence to perform, or authorize others to perform, copyright music in public. As a result of the agreements, Live365 has removed the sitewide geo … In all cases, a minimum fee of $74.72 applies. fitness, skating, dance instruction, etc.). Start your own internet radio station or just listen to online radio for free. SOCAN and Re:Sound – Different rights, different collectives If you’ve been a SOCAN licensee for a while you’re probably quite familiar with how our licenses work, how they are administered, and where the money goes. But they don’t cover recorded music used during the show. They represent song-writers like Taylor Swift, Lil Wayne, Mariah Carey, John Legend, Lady Gaga, Eminem, (members of ) Maroon 5, Michael Jackson, Linkin Park, Sam Cooke, Willie Nelson, Loretta Lynn, Dolly Parton, Fats Domino, Rihanna, John Williams and Danny Elfman. They collect license fees, then distribute the fees as royalties to their members and … 5B – Receptions, Conventions, Assemblies and Fashion Shows. The relevant Re:Sound tariff for the purposes of UBC facility rentals for receptions (including weddings), conventions, video game events, assemblies and fashions shows is Tariff No. Live Performer(s) Fee Calculator Streaming/Internet Fee Calculator Fee Calculator Smartphone/CD/MP3/Album Fee Calculator Fee Calculator Satellite Radio/Sirius Fee Calculator Fee Calculator Television A: SOCAN represents the rights of songwriters, lyric authors, composers, and music publishers, while Re:Sound represents the rights of the performers who played on recordings and the Sometimes these contributors are behind-the-scenes and not audibly heard on the record. 2021-01-10T07:48:53Z Comment by Deeassia;**. Tariff No. Educational institutions are not generally exempt from the tariffs imposed by SOCAN or Re:Sound. Depending on how many wedding guests are present, the “tax” payable to SOCAN and Re:Sound can be as much as $253.45, if recorded music is used. Instead of tracking every single person or company down to get permission to play just one single song, you can report what you have played to SOCAN and Re:Sound (separately), pay a fee to each organization, and SOCAN will handle paying royalties to publishers, lyricists, songwriters, and composers while Re:Sound will pay royalties to recording artists and record labels. Specifically, Section 19 of the current Copyright Act discusses right to equitable remuneration for sound recording performed in or communicated to the public by way of royalties or license fees paid (e.g. If the amount of attendees is uncertain, then the fee is calculated by the capacity of the establishment and multiplying that figure by 0.01745¢. Constituent parts name a few do we have to pay Re: Sound are both Canadian collectives! Half of the live entertainment have further information or questions relating to SOCAN intended as legal advice further. 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